Archive for the ‘Calls for Art’ Category

Couplings

Friday, September 3rd, 2010

*Call for Submissions* for international juried show titled “Couplings”.
Gallery 110 is calling for artwork that explores personal relationships that
celebrate pairings and the power of the bonds they create. There are many
definitions of couplings . . . let your imagination go!

Juror is Rock Hushka, Curator of Contemporary and Northwest Art for the Tacoma Art Museum in
Tacoma, WA.

Cash prizes. For the prospectus go to: http://www.gallery110.com and click on the Juried Show link.

Deadline for submissions: November 1, 2010.

Thank you,

Sue Wren

callforart@gallery110.com

Gallery 110

110 Third Ave. South

Seattle, WA 98104

www.Gallery110.com

Appleton Mills Art Installation Project CALL FOR ENTRIES

Monday, July 26th, 2010



Deadline: Monday, August 23, 2010 (materials received)
Lowell, MA  -  Appleton Mills Art Installation Project CALL FOR ENTRIES/ RFQ

Eligibility:
This project is open to all artists/ designers/ teams residing in New England, including collaborations with writers or sound artists/ musicians.

Budget:
$15,000. Five to ten finalists will receive a $500 honorarium to develop a proposal for public exhibition at the 10th Annual Open Studios in Lowell on September 24, 25 and 26, 2010. One artist/ designer/ team will be commissioned for the project.

Project Description and Background:
Trinity Financial invites artists/ designers/ teams to forward qualifications for an artwork to be permanently installed in the four-story atrium of the Appleton Mills redevelopment, an historic textile mill located at 219 Jackson Street in downtown Lowell, Massachusetts. The work to be commissioned could be a freestanding, wall-mounted or suspended piece. Appleton Mills will offer 130 affordably priced, modern loft-style rental apartments for artists of all media, including writers and musicians. The redevelopment of the Appleton Mills is the first phase of the revitalization of the Hamilton Canal District, a project that will reinvent 13 acres of vacant and underutilized land as a new and vibrant mixed-use neighborhood in downtown Lowell. Trinity, a Boston-based developer, is undertaking this renovation project, which is scheduled for completion in spring 2011. The Urban Arts Institute at Massachusetts College of Art and Design (UrbanArts) is facilitating the project.

Contact: Christina Lanzl, Project Manager, UrbanArts
christina.lanzl@massart.edu
617.879.7973
RFQ URL: http://www.massart.edu/Documents/www.massart.edu/about_massart/urban_arts_institute/Appleton_Studios_Cafe_due_08.23.10.pdf or www.urbanartsinstitute.org <http://www.urbanartsinstitute.org>  - click on Opportunities

No Place Like Home: Examining Changing Landscapes in Our Lives

Monday, July 12th, 2010

Call For Entries - Women Artists

No Place Like Home: Examining Changing Landscapes in Our Lives
A Juried Exhibition of Art by Women

Sponsored by the Koehnline Museum of Art and theWomen’s and Gender Studies Program at Oakton Community College.

The concept of home resonates with personal truths, as well as social, political, and economic realities. Our individual identities are formed by where we come from, and where and how we live. Home can be a building, a person, a nation, or a memory. Homes can be lost, found, or abandoned. They can be cleaned, improved, or destroyed. Home can be a place of refuge—or a place of oppression.  For this year’s juried exhibition, Oakton Community College invites women artists to submit a single work in any media that thoughtfully examines the theme, “No Place Like Home: Examining Changing Landscapes in Our Lives,” and how the concept of home shapes our individual and shared experiences.

Where: Koehnline Museum of Art, Oakton Community College, 1600 East Golf Road, Des Plaines, IL, 847-635-2633

When: The exhibit runs Thursday, October 21, through Saturday, November 6, 2010. A public reception will be held Thursday, October 21, 2010, from 5 to 8 p.m. Artists are encouraged to attend this special event and discuss their work with students, faculty, staff, and community members.

Who: Artists who self-identify as women are invited to submit one work for consideration. Submissions must be from professional artists 18 years of age or older.

Jury/Entry Fee: No entry fee.

Catalog: A catalog of the exhibition will be produced.

Submission of Work: Each artist may submit one original work for consideration. Work should relate to the theme of “home.”

For complete details and the submission form please go to:
http://www.oakton.edu/newsevents/events/WGS_art_entry.pdf

For questions, please call Nathan Harpaz, manager of the Koehnline Museum of Art, 847-635-2633

“At Her Age” - Call for Artwork

Monday, May 3rd, 2010

“At Her Age” - Call for Artwork

Curated by Martha Wilson, artist and founder of Franklin Furnace.
An open call for artwork by women artists that addresses women, age and sex, to be exhibited at A.I.R. Gallery.*  The exhibit will examine how women view their changing bodies.
A.I.R. welcomes an open interpretation of the theme.

DEADLINE: May 14, 2010

For more info, to apply online or to download an application click HERE<http://www.airgallery.org/index.cfm?fuseaction=main.page&pagename=atherage&pageid=148/>

Or mail SASE to A.I.R. Gallery, 111 Front Street 3228, Brooklyn NY 11201

*All self-identified women artists worldwide are invited apply.

Please forward this opportunity to your friends and colleagues.

Thank you!

A.I.R. Gallery
111 Front Street #228
Brooklyn, NY 11201
212 255 6651
info@airgallery.org <mailto:info@airgallery.org>
www.airgallery.org <http://www.airgallery.org/>

Proposal: “Man as Object: Reversing the Gaze”

Thursday, April 8th, 2010

Proposal:  “Man as Object: Reversing the Gaze”
Ceres Gallery, 547 West 27th Street, New York, NY
May 24th through June 18th, 2011

The Women’s Caucus for Art (www.nationalwca.org), a leading supporter of women artists since 1972, is requesting art on the theme of “Men as Object: Reversing the Gaze”.  This proposal for an exhibition for Ceres Gallery is a collaboration between the Northern California, South Bay Area and Michigan WCA chapters and is open to all US women artists.

Send the following to karengutfreund@yahoo.com
Images that pertain to the theme
Image list with number, title, media, size and date for each image
Artist resume

Deadline to send images:  Wednesday April 14th

The art we receive will be given to Ceres as a proposal for an exhibition.  If we are chosen, we will have another call for art that will allow artists time to create new work.  Please also email karengutfreund@yahoo.com if you would like to be kept on the mailing list for this and other feminist projects.

Prospectus for “Reversing the Gaze”

Since the early years of Feminist Art, women artists have responded to their subjugation in art by male artists by using their own bodies as the subject matter in their work. We credit feminist art of the 1970’s with giving artists today the “permission to be personal”.

There is a difference in women’s art from the work of male counterparts. We see the nude woman from different angles. The feminist artist chooses a personal vantage point, apart from that seen in men’s portrayals of women. The thesis of woman as both surveyor and the surveyed continues.

“Men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of women in herself is male: the surveyed female…thus she turns herself into an object- and most particularly an object of vision: a sight”.  Ways of Seeing, by John Berger

The goal of this exhibition “Man as Object: Reversing the Gaze” is to turn the tables and to exhibit works that put the male in the position of subject and spectacle.  Not only will the male be taking on the female role, but the surveyor is now female, no longer a “masculine” part of the female, thus creating a truly Feminist stance. The male is the spectacle for a woman’s enjoyment or mere viewing.

This is effective in two ways: as the male viewer encounters the male nude, he is forced like many women before him to turn the mirror on himself and secondly to feel the powerlessness of being owned or submissive. The individualism of the artist, the thinker, the patron, the owner, and the woman is transformed. The person who is the object of their activities, the man, is treated as a thing or an abstraction.  By reversing the unequal relationship between men and women that is so deeply embedded in our culture, men will do to themselves what they have done to women for centuries.  They observe themselves and their own masculinity as women observe their own femininity.

This exhibition will explore women’s responses to a male dominated world in a different way than an exhibition of women’s images of themselves. It will mark an important development in Feminist Art which has long concentrated on images of women meant to challenge stereotypical notions of womanhood.

A gallery filled with works depicting men, created by women, comments on the prevalence of the male gaze in art and of the continued domination of male artists exhibiting in galleries and museums.
Please email or call me with any questions, 408-823-9524.  Thank you so very much in advance!
Karen Gutfreund
Vice President - Peninsula WCA
Exhibitions Chair - SBAWCA
CALL FOR ART!

Third Annual CameraWorks Exhibition

Monday, March 22nd, 2010

CALL FOR ENTRIES:
Juried Competition

Third Annual CameraWorks Exhibition
June 6 –27, 2010
THE JUROR:
Harvey Stein, Artist, Author, Curator, Educator
Harvey Stein is the Director of Photography at Umbrella Arts Gallery in Manhattan.  He teaches at the International Center of Photography and The School of Visual Arts and has been on the faculty of the New School University, Drew University, Rochester Institute of Technology and the University of Bridgeport.  Stein has lectured extensively on the subject of photography in the United States and abroad; his latest book, Movimento: Glimpses of Italian Street Life, was published in 2006 by Gangemi Editore (Rome).  A recipient of a Creative Arts Public Service (CAPS) fellowship and numerous artist-in-residency grants, Stein’s work is represented by the Bruce Silverstein Gallery, Throckmorton Fine Art, and June Bateman Fine Art, New York City.

AWARDS
Cash awards for Best in Show, First, Second, Third Prize and Youth (under 23).

ENTRY FEE
Up to 5 images on CD or DVD.  Non-refundable fee per image: $10 (guild members), $15 (non-members)

ELIGIBILITY
Cameraworks is open to all artists using photographic or videographic
techniques or elements in their work.  There are no geographic restrictions.
RGA is not responsible for packing or shipping fees.

CALENDAR
Accepting Entries: March 15-April 30, 2010
Acceptance Notification: May 16 (via email & website)
Exhibition Dates: June 6- 27

FOR PROSPECTUS
Go to: www.rgoa.org <http://www.rgoa.org/>

“Blue Planet” a fine arts exhibition

Wednesday, March 10th, 2010

Call for Entries!  The Pacific Region Women’s Caucus for Art is sponsoring “Blue Planet” a fine arts exhibition accompanying “Elements: An Eco-Art Conference”.   Eco-art often carries a layered meaning that aids in the understanding and appreciation of the environment, addresses community values, and/or inspires activism on behalf of the ecological systems of which humans and their cultures are a part. For the Blue Planet Exhibition, we seek work that examines and explores the social, political and economic issues related to water. All media including installation, video and collaborative projects that fit within the gallery space may be submitted.  This show is open to all artists living in California and all national WCA members.

This show will be at SOMArts Cultural Center in San Francisco from June 19 to June 26th and is juried by Eco-Artist Kim Abeles.  The deadline for entries is April 24th, 2010.

Please email KarenGutfreund@yahoo.com for the prospectus or download from www.sbawca.org

LUNAFEST®

Tuesday, February 23rd, 2010

LUNAFEST® is a traveling film festival of notable and award-wining short films by, for and about women. Films tour 150+ venues and screen in front of 20,000 people across the U.S. and Canada.

Established in 2000, LUNAFEST promotes women filmmakers, raises awareness for women’s issues and supports women’s nonprofit organizations. To date, LUNAFEST has raised over $470,000 for local women’s community nonprofit organizations and over $285,000 for the Breast Cancer Fund.

We invite you to Share Your Story By, For About Women at LUNAFEST.

LUNAFEST is looking for films by amateurs, students and aspiring indie filmmakers. We are seeking a diverse range of films which embody the unique, touching and inspirational roles of women in our local, national and international communities. We are especially thrilled to receive animated, documentary, international and humorous pieces.

Short films must be 20 minute or less and directed and/or produced by a female. There is no limitation based on the year of production. Winning filmmakers are awarded $1,000 cash!
100% of LUNAFEST proceeds go to non-profit organizations – 15% are donated to the Breast Cancer Fund , the leading national organization focused on preventing breast cancer before it starts, and 85% to local women’s nonprofits.

Submit your film postmarked by April 15, 2010 through Withoutabox or online at LUNAFEST.

Submit your film. Share your story. Support local communities.

Host a LUNAFEST in your community!

For more information, please contact:

Suzy Starke German
LUNAFEST Program Manager
sstarkegerman@clifbar.com

Tuesday, February 9th, 2010

WOMEN AND WATER RIGHTS: RIVERS OF REGENERATION
Exhibition and Related Programming

February 23 to March 25, 2010
Katherine E. Nash Gallery
Regis Center for Art, University of Minnesota
Minneapolis, MN 55455


Art has the responsibility to help society deal with its hidden conflicts and contradictions…to imagine what could exist and give it shape…open up a space for critical thinking.
- Herbert Marcuse
The Women and Water Rights: Rivers of Regeneration (WWR) project addresses the precarious state of the world’s fresh water supply and the global need for gender mainstreaming in water management. Through an art exhibition and related programs, WWR underscores the message that water access is a universal human right.

Motivation
We are facing a global water crisis:* 18% of the world’s population lack access to safe drinking water, and 42% lack access to basic sanitation. More than 2.2 million people die each year from diseases associated with these conditions. As water scarcity grows, so will these numbers. By 2025, it is estimated that two thirds of the world’s population will live in areas facing moderate to severe water stress.

See http://www.un.org/waterforlifedecade/factsheet.html <http://www.un.org/waterforlifedecade/factsheet.html>

WWR calls attention to the United Nation’s International Decade for Action, the Water for Life!  agenda, and the UN Millennium Development Goals, the achievement of which hinge on integrated management of water resources. A target of the MDG’s is to halve by 2015 those peoples without sustainable access to safe drinking water and basic sanitation.

See: http://www.un.org/waterforlifedecade/pdf/pb_water_gender_upd.pdf <http://www.un.org/waterforlifedecade/pdf/pb_water_gender_upd.pdf>

As women play a central role in water provision and management, women must be central in planning for the future. A focus of WWR is to examine how the inclusion of women in the management of local, regional, and global water resources would improve the social, economic and environmental results. WWR will emphasize how the arts both reflect and alter societal attitudes leading to cultural and economic change.

Components
The WWR exhibition at the Nash
includes work by national and international artists who are investigating water rights as subject and material in their work, using new technologies as well as traditional media.  It features an invitational and juried exhibition of artwork from artists residing in the five states that form the basin of the Upper Mississippi and an international call for video work. In addition, an international mail art exhibition of adult and student locally and globally resulting from a worldwide call in the adjacent Quarter Gallery in the Department of Art.

Symposium: Global Policy – Local Action, March 4 and 5, 2010 will bring together experts to discuss their perceptions of accountable guardianship that will ensure water as a fundamental human right. Locally and globally, what is the connection between women and water? How might viable change to present practice be initiated? Invited participants represent various arenas, including native, social, and historical practice, legislative mandates, agricultural practice, and industrial restrictions.

Water Dance: A celebration of water through poetry, visual art, music and dance
, March 3, 2010 is for Twin Cities school audiences.  Students are invited participate in an open mic poetry reading/poetry slam, experience an international art exhibit, and enjoy student performances.  Festivities include performance of choral compositions written by students in collaboration with composers at the Perpich Center for Arts Education. High school and college choral and choreography students will perform the works at the Ted Mann Concert Hall.

A WWR online catalog is
planned to document the exhibit and provide a study guide. In addition to a public screening, the goal includes development of a distribution list of art institutions and schools.

A Traveling Exhibition 2010-2012
will extend the life of the project by moving to venues nationally and internationally that have pledged their interest.

Partner Exhibition Venues:
        The Women’s Center, Appleby Hall, University of Minnesota
Boynton Health Center, University of Minnesota
The Woman’s Club of Minneapolis
Mill District Arts Gallery, Minneapolis
Bohlander Gallery on 36th, Minneapolis
Minneapolis Downtown Library
MCAD Gallery, Minneapolis
Traffic Zone Center for Visual Art

Co-Sponsors
The University of Minnesota Department of Art
The Women’s International League for Peace and Freedom (WILPF) and the Jane Addams Peace Association, Minnesota Metro Branch Arts Committee
Women’s Caucus for Art (WCA) Minnesota Chapter

The Office of International Programs, University of Minnesota
The Consortium for the Study of the Asias, University of Minnesota
The Women’s Center, University of Minnesota
The Puffin Foundation
The Institute on the Environment, University of Minnesota/ River Life Program

Wednesday, January 20th, 2010

Open Call for Entries for All Photographers

Theme: Landscapes • Unfeigned or Illusory

A Landscape, as defined by this Call for Entry, can be representational or non-representational, urban, suburban or rural.
Juror: Todd Brandow, Founding Director of the Foundation for the Exhibition of Photography.
Entry Fee: $35 up to 5 images; $10 each additional (no limit on number that may be submitted)
Prizes: $300 for 1st; $200 for 2nd; $100 for 3rd
Entries Due: March 8, 2010
Notice of Acceptance: March 18, 2010
Exhibition Dates: April 23, 2010 – June 13, 2010 at the Mpls Photo Center
Reception: April 23, 2010, 6:30 - 9:00 pm at the Mpls Photo Center

About the Juror
Born and raised in Minneapolis, Todd Brandow worked as an art consultant in New York for many years. Since 1997, he has been living in Paris, working as a photography curator, foundation director and book publisher. He co-produced and co-curated the highly successful Edward S. Curtis vintage exhibitions, drawn from the collection of Christopher Cardozo, that were exhibited in European museums between 2000 and 2006. US State Department-sponsored modern print shows of Curtis’s work are currently touring Latin America, Europe and will be soon in North Africa and Japan under his direction. He co-curated a retrospective tour of Finnish photographer Arno Rafael Minkkinen with critic A. D. Coleman. He recently co-curated with Musée de l’Elysée Director William Ewing and Senior Curator Nathalie Herschdorfer the exhibitions /Edward Steichen: Lives in Photography/ and /Edward Steichen: In High Fashion, the Condé Nast Years 1923-1937/. Brandow is the founding director of the Minnesota-based non-profit organization, the Foundation for the Exhibition of Photography (FEP), and President of FEP Editions LLC. Currently, ten new major exhibitions are in the planning and production stages.

Entry Checklist
Entries are submitted online at http://www.MplsPhotoCenter.com/exhibits/callforentries
To prepare your images for uploading, please adhere to the following image file specifications:

  • sRGB or RGB color space (standard) - NOT     CMYK (typically used by printing industry)
  • Save files to 72 ppi resolution; any layers     flattened, 8 bit JPEG files (16 bit will not upload.)
  • Sized to 1,280 pixels on the longest side,     the other size width or height proportional
  • JPG format
  • JPG compression at level 7 (medium). This     compression level will not affect the quality of images viewed on a     monitor.
  • Do use characters other than a period     preceding jpg in the file name. The following characters will lead to     image uploading problems: !@#$%^&*()_+

http://www.MplsPhotoCenter.com/exhibits/callforentries

Clare O’Neill
Exhibitions Manager
Mpls Photo Center, LLC
2400 North Second Street,
Minneapolis, Minnesota 55411
Cell + Studio: 651-246-1831

visit: www.mplsphotocenter.com <http://www.mplsphotocenter.com/>

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