WCA ACTIVISM
WOMEN AND WATER RIGHTS: RIVERS OF REGENERATION
Exhibition and Related Programming
February 23 – March 25, 2010
Katherine E. Nash Gallery
Regis Center for Art, University of Minnesota
Minneapolis, MN 55455
Art has the responsibility to help society deal with its hidden conflicts
and contradictions…to imagine what could exist and give it shape…open
up a space for critical thinking.
- Herbert Marcuse
The Women and Water Rights: Rivers of Regeneration (WWR) project addresses
the precarious state of the world’s fresh water supply and the global
need for gender mainstreaming in water management. Through an art exhibition
and related programs, WWR underscores the message that water access is a
universal human right.
Motivation
We are facing a global water crisis:* 18% of the world’s population
lack access to safe drinking water, and 42% lack access to basic sanitation.
More than 2.2 million people die each year from diseases associated with
these conditions. As water scarcity grows, so will these numbers. By 2025,
it is estimated that two thirds of the world’s population will live
in areas facing moderate to severe water stress.
See http://www.un.org/waterforlifedecade/factsheet.html
WWR calls attention to the United Nation’s International Decade for
Action, the Water for Life! agenda, and the UN Millennium Development Goals,
the achievement of which hinge on integrated management of water resources.
A target of the MDG’s is to halve by 2015 those peoples without sustainable
access to safe drinking water and basic sanitation.
See: http://www.un.org/waterforlifedecade/pdf/pb_water_gender_upd.pdf
As women play a central role in water provision and management, women must
be central in planning for the future. A focus of WWR is to examine how the
inclusion of women in the management of local, regional, and global water
resources would improve the social, economic and environmental results. WWR
will emphasize how the arts both reflect and alter societal attitudes leading
to cultural and economic change.
Components
The WWR exhibition at the Nash includes work by national and international
artists who are investigating water rights as subject and material in their
work, using new technologies as well as traditional media. It features an
invitational and juried exhibition of artwork from artists residing in the
five states that form the basin of the Upper Mississippi and an international
call for video work. In addition, an international mail art exhibition of
adult and student locally and globally resulting from a worldwide call in
the adjacent Quarter Gallery in the Department of Art.
Symposium: Global Policy – Local Action, March
4 and 5, 2010 will bring
together experts to discuss their perceptions of accountable guardianship
that will ensure water as a fundamental human right. Locally and globally,
what is the connection between women and water? How might viable change to
present practice be initiated? Invited participants represent various arenas,
including native, social, and historical practice, legislative mandates,
agricultural practice, and industrial restrictions.
Water Dance: A celebration of water through poetry,
visual art, music and dance, March 3, 2010 is for Twin Cities school audiences. Students are invited
participate in an open mic poetry reading/poetry slam, experience an international
art exhibit, and enjoy student performances. Festivities include performance
of choral compositions written by students in collaboration with composers
at the Perpich Center for Arts Education. High school and college choral
and choreography students will perform the works at the Ted Mann Concert
Hall.
A WWR online catalog is planned to document the exhibit and provide a study
guide. In addition to a public screening, the goal includes development of
a distribution list of art institutions and schools.
A Traveling Exhibition 2010-2012 will extend the life of the project by moving
to venues nationally and internationally that have pledged their interest.
Partner Exhibition Venues:
The Women’s Center, Appleby Hall, University of Minnesota
Boynton Health Center, University of Minnesota
The Woman’s Club of Minneapolis
Mill District Arts Gallery, Minneapolis
Bohlander Gallery on 36th, Minneapolis
Minneapolis Downtown Library
MCAD Gallery, Minneapolis
Traffic Zone Center for Visual Art
Co-Sponsors:
The University of Minnesota Department of Art
The Women’s International League for Peace and Freedom (WILPF) and the
Jane Addams Peace Association, Minnesota Metro Branch Arts Committee
Women’s Caucus for Art (WCA) Minnesota Chapter
The Office of International Programs, University of Minnesota
The Consortium for the Study of the Asias, University of Minnesota
The Women’s Center, University of Minnesota
The Puffin Foundation
The Institute on the Environment, University of Minnesota/ River Life Program
FROM THE PUBLICATIONS COMMITTEE
Exhibition Catalogues: What can they do for YOU?
Are you serious about your art - and do you want to be taken seriously, now and in the future? Not going to happen without documentation. For visual artists, that means making sure that important exhibitions are documented with an exhibition catalogue.
Exhibition catalogues can be impossibly expensive - or not. They do require a working knowledge of computers and basic word processing. To get you started, members of the Peninsula and South Bay Area chapters have pooled their knowledge and produced the Guide to Exhibition Catalogues. Download the PDF.